Something Watches from the Pumpkin Field

Something Watches from the Pumpkin Field

Something Watches from the Pumpkin Field
Watches from the Pumpkin

A True Story from a Forgotten Patch

People talk about strange things in small towns haunted bridges, ghost lights, lonely farms you shouldn’t drive past after dark. I used to roll my eyes at all that. But after what I saw in the pumpkin field outside Shelby County, I don’t laugh at much anymore. That place is still there. You can find it if you know where to look deep in the backroads past Highway 43, behind a rusted fence nearly swallowed by weeds. The pumpkins that grow there look wrong somehow. They don’t ripen orange, just pale… almost white. Locals say the soil’s cursed. They say something buried under it still wants out. I never believed any of it until I went there myself.

The Patch That Watches

It started as one of those dumb family curiosities. My uncle used to tell stories about our great-grandfather, who supposedly tried to start a pumpkin farm out there a century ago. He died before the first harvest, and people whispered that the earth “didn’t want him.” Over time, the place picked up a nickname The Patch that Watches. Teenagers used to sneak there on Halloween to steal pumpkins. Some came back pale and shaking. A few didn’t come back at all. I thought it was just small-town folklore meant to scare kids, but when I started asking questions in town, people got quiet. Really quiet. One older guy muttered, “Don’t walk where the vines look back.” That should’ve been a warning.

A Walk Under the Moon

I drove out there last October, under a full moon that made everything glow that sickly silver color. The gate was bent and half-buried in mud, but it opened if you pushed hard enough. The air smelled weird wet dirt and something sweet, almost rotten. I brought a flashlight, though the moon was bright enough to see without it. The pumpkins were big, but not right. The color was drained out of them, and some had what looked like faint handprints pressed into the sides. The vines twisted everywhere, like they’d been crawling in circles. And when I crouched down, they didn’t feel like plants they felt like rope. Like something that remembered movement. That’s when I heard it. This low, breathy sound carried across the field not wind, not animals, just a slow whispering hum that seemed to come from the ground itself. I remember thinking it sounded like breathing.

Shapes in the Dark

Out past the last row, something moved. I swung my light that way and caught a glimpse of figures standing between the pumpkins. Not people exactly. Tall, thin shapes that didn’t walk so much as sway.
I kept the light on them, trying to figure out what I was seeing. One of them turned its head or I think it did and I saw part of its face. It wasn’t a face, really, just two dark hollows where eyes should be and a gleam like cracked porcelain. It stood still for a long moment before tilting forward, like it was studying me. Then it started moving toward me.

The Field Wakes Up

I started backing up, fast. My boots sank into the mud, and I nearly fell. Then something cold wrapped around my ankle a vine, tight and pulsing. I kicked hard, fell again, and tore it loose, but I could feel it sliding against my skin like it was alive. When I looked down, the vines were moving, almost slithering toward me. Not fast, but steady. Root by root. The whispering grew louder, layered like a dozen voices speaking underneath one another. I couldn’t make out what they were saying, but it built and built until my heartbeat felt like it matched their rhythm. I ran for the fence.

At the Edge of the Field

Just before I reached the gate, I looked back. I don’t know why. Instinct maybe. The nearest figure had dropped to its knees and pressed a hand to the ground. Every vine around it lifted, trembling. The air shimmered like heat above them. It reached out with one long arm, and in its other hand… it held something round and dark. A pumpkin. Split open. Inside was a face. Human, half-decayed, pulled apart. The skin looked wet. The eyes there were still eyes. My body went numb, and then I just ran. I don’t remember half the drive home. When I finally looked in the rearview mirror, every pumpkin in the field was turned toward the road. You could see faint shapes inside them, like faces pushing from beneath the skin, straining to get out.

After the Fact

I tried not to think about it after that night. But a few months later, I started noticing things. In the corner of my yard, little sprouts tiny pumpkin vines, threading through the grass. I dug them up, but they came back the next morning. And sometimes, late at night, I’d hear that same whisper outside my window. When I finally checked with the county records, there was no mention of a pumpkin farm ever being registered there. No property listed under my great-grandfather’s name. The clerk even told me the section of Highway 43 I described “doesn’t exist anymore.” But if you open Google Maps and zoom out just right, you can still spot it a dark patch of land shaped almost like an eye. And if you zoom closer, just faintly, one word appears under the satellite imagery. watching.

The Legend Lives

People online have turned it into a local ghost story now The Haunted Pumpkin Field of Shelby County. Paranormal channels post blurry videos, claiming to see lights between the rows. Some swear it’s fake. Some say it’s real. I don’t care what anyone believes. I know what I saw. And I don’t go near pumpkin patches anymore. The weirdest part? Every October, without fail, pumpkins start appearing on my property again. The vines always grow facing east, toward the direction of that field. And when the moon hits just right, I catch glimpses of shadows shifting between them, heads bent, silent, waiting.
Always watching.
Amanda Restover
Amanda Restover
I’m Amanda Restover, 28—raised on midnight whispers and the click of locks that never stay shut. I tell horror the way it’s found in real life: in the quiet, in the corner, in the object everyone swears used to be somewhere else. I hunt for hidden things—keys in ashtrays, notes under floorboards, mirrors that return the wrong angles—and stitch them into stories that breathe back. When the lights go out, I listen; when they flicker, I write; when something moves, I follow it into the dark.
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